With all the crime.....

By Jenny Hilborne, Author of mysteries and thrillers

I've noticed a lot of recent discussion about fictional crime compared to real life crime, with plenty of focus on the negative aspects of fictional crime, especially in the face of the horrific shooting events in the US. The fictional violence and brutality sometimes bothers me, too, if I think about it too much, so I wanted to concentrate for a few minutes on the positive, fun aspects of fictional crime.  

Mystery writers must consider many things in their stories: plot, subplot, motive, setting, logic, alibi, clues, evidence, witnesses, and conclusion, with explanation. It must all make sense. Different types of mysteries include a variation of these elements: a cozy is a more peaceful mystery with lots of clues, less action, and less danger to the main character; a hard-boiled mystery includes a lot of action and rough realism; procedurals draw the reader's attention to the rules of law enforcement; an amateur sleuth stumbles into the mystery by accident and helps the detective solve the crime.

All good mysteries contain secrets, riddles, and clues to solve the puzzle. What makes a mystery or a thriller spectacular, for me anyway, is the element of surprise, the perplexity of the plot, the probing questions that draw me deep into the story, and the fact it is fiction and not real life - a world I can visit, without participating in any of the crimes, except trying to catch the killer. After watching a couple of Agatha Christie episodes last week, I realized I mostly enjoy the red herring. It's a mind game using clues to capture and evade, rather than coincidence. The villain matches wits with the detective, the reader matches wits with the author to crack the case. The reader wants to work out the author's plot and the author tries to prevent it, until he/she is ready for the big reveal. We are testing each other.

Red herrings are the false clues that throw off the investigator, increase the challenge and make the mystery so much fun. Skillful mystery writers like Agathie Christie make the guilty appear innocent, turn the innocent into suspects and do so convincingly, sending us looking the wrong way. It's like finding our way out of a maze and we learn from our mistakes, sharpening our skills each time, both as readers and writers. 

Another spectacular part of the fictional mystery is the shock - finding out the guilty person is the one we trusted, realizing the flaws in our own judgement. This is another opportunity to learn about ourselves and improve our analytical skills.

Fictional mysteries bring readers together to discuss, imagine, compare, and to recommend. I hang out in various online mystery groups to share my thoughts and look for suggested great reads. Fictional mysteries become more and more sophisticated and the challenges get harder. Techno thrillers give us a glimpse into a possible future world and stretch our imaginations.

To finish, here are a couple of my favorite mystery reads from 2012:

Chalk Valley by D.L. Johnstone: Excellent suspense told from several viewpoints.
The Dark Monk by Oliver Potzsch: Well plotted with a maze of riddles and clues
Bleed For Me by Michael Robotham: harrowing story of corruption, perversion, abuse of power, and murder.

Red Herrings Stink

A guest post by Nancy Springer.

I’m not sure I really am a mystery writer. Up until I received my first Edgar, I thought I was a generic novelist interested in crime. I don’t plot, I don’t murder a character before chapter three, and I don’t plant red herrings. As far as I’m concerned, the less my fiction resembles a fox hunt, the better.

Fox hunt?


Well, you know how we refer to traditional mystery writing: Sleuth hounds sniffing out the trail of the criminal, but led astray by red herrings. That’s fox hunt imagery. In many a jolly good British fox hunt, a prankster dragged a red herring across the fields, because the odor of the smoked fish was so strong it would almost certainly throw the hounds off the track.

Contemplating overdressed people on expensive horses galloping behind a pack of dogs, Oscar Wilde dubbed fox hunting “the unspeakable in full pursuit of the inedible,” thus begging the question: why? Why kill a fox? I have often wondered similarly, why the first body, the second body, and the third body?

I prefer to write crime fiction that is corpse-optional, about missing persons, abduction, stalkers, family secrets, bad guys poaching endangered animals or other environmental crimes. There are many non-cadaverous alternatives to murder, and they occur to me naturally enough when I try to write a mystery novel, as opposed to a fox hunt. I consider plotty plots with red herrings to be egregiously deceptive. Instead, I try for an original, character-driven work, a well-crafted narrative with no need for artifice. I say fences, foxes, red fish, forget it.

Why? Because a fox hunt is essentially an old-fashioned, frivolous pursuit, and so is the contrived murder mystery. Many of us, self included, enjoy a good the-butler-did-it, but today’s world, crime is no game. Nor, I think, do we want it to be. In today’s atmosphere of bad news, domestic abuse, drug trafficking, violence in the schools, and worse, I think there’s a need to acknowledge that villainy is not a cozy, orchestrated logic problem; evil is here, now, and it is messy. I think we need to write honest no-tricks mystery. Red herrings stink.

Nancy Springer has written fifty novels for adults, young adults and children, in genres that include mythic fantasy, contemporary fiction, magical realism, horror, and mystery -- although she did not realize she wrote mystery until she won the Edgar Allan Poe Award from the Mystery Writers of America two years in succession. Dark Lie is her first venture into adult suspense.

Born in New Jersey, Nancy Springer lived for many decades near Gettysburg, Pennsylvania, of Civil War fame, raising two children, writing, riding horseback, fishing, and birdwatching. In 2007 she surprised her friends and herself by moving with her second husband to an isolated area of the Florida panhandle, where the birdwatching is spectacular and where, when fishing, she occasionally catches an alligator.

A review of Dark Lie is posted on Stuff and Nonsense today.  I'm also giving away a copy of Dark Lie, courtesy of The Penguin Group.  Please stop by and comment to enter!