Monday, October 7, 2013

Would you share credit with 443 other writers?

by A.M. Khalifa, thriller writerAymen_Cover_Terminal Rage

[Note from Jodie: I’m swamped with work so am ceding my spot again today to my friend and client,  talented author A.M. Khalifa, whose just-out (Aug. 30) gripping international thriller, Terminal Rage, is definitely a bestseller-in-waiting. But don’t take my word for it – read this stellar review. Take it away, A.M.!]

Collaborative Writing on Steroids

Writing is a lonely profession. It’s just you, the writer, interacting with your tools to create universes and characters of which you are master. If you are a mystery or thriller writer, you construct underlying puzzles and crimes and decide which characters you will send in harm's way to resolve them. Their lives and futures are in your hands.

But what if you decided to take a chance and surrender custody of your characters and plot line? This is exactly what I sought to do when I started a literary experiment called the

A few months ago, I had written a short story about a man who wakes up on a beach not knowing how he got there and remembering everything about his life except his name. I set it aside for a while as one of many writing projects I had going on at the same time.

When I came back to it, I realized it was exactly 444 words. And I had another thought: I couldn’t help but feel sorry for my main character. The mystery of how he got there and any chance of salvation and resolution lay with me, and me alone. Of course I knew how he got there and how it would all end. But what if there were alternate story lines that would bring forth different outcomes and endless possibilities?

 I decided on a whim I would for a change voluntarily give up my rights as an author to this story line and share it with other writers. But there were a few catches: Each subsequent chapter must always be exactly 444 words. And the story will end when 444 writers have participated. And each contributor must recruit the subsequent writer with only one guideline: That they firmly believe this writer to be better and more skilled than they are. The idea was to create a “fiction moving forward” momentum, where every piece is better than the preceding one.

The results of this experiment have so far been nothing short of astounding. Mass collaborative writing is highly instructional – and stimulating. I am learning from writers who are building upon the infrastructure I laid down. We are only up to chapter six, but never in my wildest creative spurts would I have imagined what my five co-conspirators have come up with so far. I am no longer just one of the writers, but I am also a reader – biting my nails, unable to wait for the next chapter.

Because I have no control on the recruitment of successive writers, something quite special is brewing. Writers from all genres are intersecting on this venture. I see myself primarily as thriller writer. But the people who’ve participated so far come from science fiction, steam punk, fantasy, and horror backgrounds. The identity of the story is developing almost as a genre of its own that mixes all of the writers' influences without coming across as disjointed or Frankensteinian.

Being the master of your narratives is a powerful and intoxicating aspect of being an author. So to be willing to give up that control has been difficult, but ultimately liberating. And it proves that collaborative writing is not only possible, but one with boundless possibilities and its own pleasures. Of course, the 444 Project is collaborative writing on steroids, but it has made me open and ready to co-write with someone else at some point in the future.

I would like to hear from other mystery, crime and thriller writers: Would you be willing/able to collaborate with another author? And what do you think the main challenges of such a venture would be?

And readers, would a mystery or thriller written by more than one person be an attractive read, or would you be troubled by the potential duality of voices? 

A.M. Khalifa, author of international political thrillers, writes exhilarating stories pulsating with life and unforgettable characters. Khalifa speaks three languages, and has lived, worked or studied in fifteen countries across five continents.
Terminal Rage is Khalifa's debut novel. 

Participation in the is by invitation only. However, interested authors can submit an expression of interest on the project's web site for possible inclusion should circumstances change.


  1. What a wild project! It also sounds like a lot of fun. But you would have to really let go of the idea that it was your story. As a reader, the multiple voices might be challenging for me. Or the effect might come off as brilliant. I think you'd need a good editor to make it all cohesive. Let us know how it turns out.

  2. Welcome back to CFC, with another great post, A.M.!

    Collaborating on a book with just one other person seems daunting enough, much less with several! But your idea could work - you write your chapter, then just let go... Not an easy thing to do, still! But as you say, the process could also develop your creativity and skills.

    Good luck with this venture! But don't let it get in the way of writing your next novel!

  3. What a fun concept, A.M.!

    I hauled out my calculator and saw the close to 200,000 word count and thought I'd pass on the concept of making it a serial with small groups of chapters for 99¢ or something similar. That would also give a break to the reader who might be troubled by the different voices.

    Best wishes!

    1. A.M., as your editor, my concern is that this project will take up more and more of your time and delay the release of your next novel!

      Why don't you cap it at 44 chapters instead of 444? That would be much more realistic and doable!

    2. Whew! That's a relief! I'm looking forward to your next story, too, Aymen! So get to work! LOL

  4. You have an amazing group project going there!
    Collaboration, I would try it under a variety of circumstances but would prefer to start a project knowing whether or not it was a collaboration. I'm not sure I know the truth about myself regarding this matter.

  5. Just thought I'd mention that A.M., who divides his time between L.A., Rome, and Sydney, Australia, is living in Rome right now and is doing a book tour in London, so will check in here in a few hours.

  6. I can't imagine working on a book with anyone else. I'm by no means a control freak - quite the opposite - I just think I'd find the different voices too difficult.


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