Showing posts with label legacy publishing. Show all posts
Showing posts with label legacy publishing. Show all posts

Tuesday, March 5, 2013

Getting Scroogled and Amazon Attacks, Part II

Kimberly Hitchens is the founder and owner of Booknook.biz, an ebook production company that has produced books for over 1,000 authors and imprints with over 2,000 produced books up on Amazon and other retailers.

Hi, Gang!  We interrupt this incredibly insightful blog on Amazon's Persnickety Punctiliousness, Part II, to talk about Being Scroogled.

Are You Getting Scroogled?


For anyone that hasn't seen the ads, or the kerfuffle on the Net, Microsoft has made a point of letting GMail or Googlemail users know that they are being "Scroogled" by Google.  What's Scroogling, besides something that sounds like Big Booty Sex?  Being Scroogled is what happens when you use your GMail account and email someone--anyone.  If you email someone, say, Auntie Flo, telling her that you're shopping for a car, you might find it a bit startling that suddenly, everywhere you go, you see GoogleAds for cars and car websites.  Is Google prescient?  No, they're not:  they're reading your email.

"We don’t need you to type at all. We know where you are, with your permission; we know where you’ve been, with your permission; we can more or less know what you’re thinking about."
Google Chairman Eric Schmidt at the The Atlantic Washington Ideas Forum in 2010

"If you have something that you don't want anyone to know, maybe you shouldn't be doing it in the first place."
Google Executive Chairman Eric Schmidt on Consumer Privacy


What did he say?  Seriously?

Yup:  Google is reading your email.  You can see Microsoft's discussion about it, here:  CLICK HERE.  Oddly enough, and maybe it's because it's Google, I haven't seen the big outcry that was heard 'round the Net when people had their knickers in a twist about Facebook invading their privacy.  Frankly, to me, what you say on Facebook is public, and if that "privacy" gets invaded, it's the same thing as the goodies from a criminal endeavor lying about in plain sight.  But reading my email?  I don't care if it's bots or a program--I don't want Google or anyone else reading my damn email.  I wondered why, recently, I was seeing Google ads for the very same project management system I am already using at Booknook.biz; now I know.  I'd answered a GoogleMail question I'd received, asking about project management systems, and I'd said that I use TeamworksPM.  Now, everywhere I go--everywhere--I see ads for this self-same system.  To say it's annoying doesn't do it justice.

What Happened to My Privacy?


But the bigger issue is:  Google, get out of my damn email. In a day and age in which privacy is ever-dearer and harder to find, I don't want someone, mechanical or otherwise, poking around in my email skivvies.  I mean, seriously:  if I became angry and referred to someone as a "dildo" in an email (not saying it's happened, but, hey, I'm human), I shudder to think at what ads I might be seeing afterwards.

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Amazon Strikes Again!

 
Meanwhile, back at Booknook.biz:  you may recall, faithful readers (ha!), that sometime ago, I blogged about "Amazon's Punctuation Punctiliousness," referring to it as "persnickety."  Well, we've had another event at Booknook.biz that has simply reinforced my irritation at what seems to be the unequal treatment of better-selling authors with regard to mere typos.  Now, I'm as keen for clean books as the next guy (maybe not as much as Jodie, but, hey, I'm a bookmaker, not an Editor), but anyone who believes that any book out there is "perfect" is deluding themselves.  So, what happened?
 
Believe it or not, today we received a "Kindle Quality Notice" ("KQN") for one of our top author clients, a bestseller on several continents with a large list of books.  What for, you may ask?  The book in question is a backlist title, and was scanned, OCR'ed, etc., so as scanning causes errors it's not that surprising.  The KQN was for TWO--count 'em, TWO--"typos."  Both were mere spacing errors, where the scan created a slight amount of space between the first letter of a word and the rest.  Not quite a full space--but a small gap.  TWO errors. Now, mind you, this is out of a book that has 220,015 words.  Yes, Two Hundred Twenty-Two Thousand and Fifteen words.  In print, 800 lovely lusty pages. 
 
I'm not a math whiz, but I make that an error rate of 0.00001.  Yes--one one-millionth.  That's the error rate; one one-millionth of 1 percent.  I wrote to Amazon again, as I do on almost every KQN that comes in (invariably for the  best-selling authors, as I noted back in July of last year), and asked them once more to establish a clearer and better threshold--something like, 1 word out of every 10,000 can have an error, or whatever they think is a reasonable threshold--and to apply it evenly across the board, to all authors and publishers--not just the best ones.  It's grossly unfair for people who have already paid good money for scanning, OCR, proofreading, cover design, book creation, etc., to get the short end of the stick, simply because they are the ones that get read, and whose readers report errata. 
 

So:  Why Not Fix Print, Then, Too?

 
I noted that they wouldn't dream of asking someone in print to "fix" their book--why ask those who've submitted professionally-created ebooks?  I understand their mindset; the bulk of their self-published authors type up a Word file and submit that, so fixing it isn't that big of a deal.  But what about the other thousands of authors who paid someone, just as they would have paid for a print book?  What about authors who have both up?  Why is it always the ebook that gets the Quality Notice?  Why the double-standard, both about curation and ebooks versus print?  In this day and age, much of what's sold in "print" on Amazon is made at Createspace or other POD houses--so why not make print authors "fix" their books, too? 
 
And I'd really love, love, love to know if KQN's get sent to Random House and the other legacy publishers.  I think that while Amazon certainly has every right to seek the highest-quality content, they need to start curation at a much more fundamental level.  If they're not going to do anything about the Broken Bones of the world (see my July post), then really, they need to stop telling first-rate authors, the bread-and-butter of Amazon's world, to fix books that have an error rate of one one-millionth of a percent.  That's just ridiculous.  Amazon, c'mon, think about this, will you? 


This is Hitch, over and out, until next time.

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Wednesday, February 6, 2013

How Much Should an e-book Cost?


By Andrew E. Kaufman

It seems to be a question that has yet to find an answer, with about as many theories as there are books.

Back in the days of paperbacks and hard covers (remember those?) it seemed the price for a novel was pretty standard—they weren’t all the same, but at least they hovered in the same neighborhood. Since the advent of the e-book, however, it seems anything goes. The scale is frenetic, to say the least, with prices falling on average anywhere between free and about $12.99.

As an author, I find it disconcerting, and as a reader, even more so. While shopping for books, I often shake my head at some of the prices—and I also wonder: what makes one book worth more than another? Amazon tried to level the field by setting a fixed price for e-books, putting them all at a reasonable $9.99, and even taking a loss on profits, but then legacy publishing fell into an uproar and put an end to it.

So now the question remains: what makes one book worth more than another? Should they be based on prior sales? The author’s reputation? If those were the criteria, one might expect each book to be as good as the last, and that’s simply seldom the case. How about the length of a book? More pages no longer equate to more paper, but they still mean more work—should the author and publisher be compensated accordingly?

Of course, I’m just throwing out variables here, and really, I don’t know if there’s a reasonable answer. I suppose the logical theory from an economic standpoint would be that a book is only worth as much as people are willing to pay for it, but these days, even that answer seems a bit vague, because most readers have different standards on what they’re willing to pay. Some base their price cap on how much they can afford, others on how much of a risk they’re willing to take on a new author. Then there are those who set a firm cutoff point and won’t go over a certain price no matter who the author is. Yet another variable (as if there weren’t already enough) is the pricing on indie books vs. traditionally published ones. Some readers are still uncertain about paying a higher price for the former.

But whether independent or mainstream, it seems authors and publishers are just as uncertain on the matter. One might think that finding the magic price point were as complex as charting a quantum theory. I decided to take an informal survey of Amazon’s top 12 bestsellers to illustrate my point. Here’s what I found:

1. Safe Haven (Nicholas Sparks): $6.64
2. American Sniper (Chris Kyle, Scott McEwen, Jim Defelice): $8.99
3. Wait for Me (Elizabeth Naughton) .99
4. Crazy Little Thing ( Tracy Brogan) $3.99
5. Gone Girl (Gillian Flynn) $12.99
6. House of Evidence (Victor Ingolfsson) $4.99
7. Collide (Gail McHugh) $3.99
8. Hopeless (Colleen Hoover)  $3.99
9. Beautiful Creatures (Kami Garcia, Margaret Stohl) $5.80
10. The Pain Scale (Tyler Ditts) $1.99
11. Alex Cross, Run (James Patterson) $12.74
12. Rush (Maya Banks) $7.99

See what I mean? All over the map.

I suppose prices will eventually settle once the market does—or at least, I hope so—but in the meantime, what do you think? How much are you willing to pay for an e-book, and how do you arrive at that decision?