Showing posts with label manuscript. Show all posts
Showing posts with label manuscript. Show all posts

Wednesday, March 5, 2014

Dogs, Manuscripts, Parallells, and Other Seemingly Obscure Observations


By Andrew E. Kaufman, author of psychological thrillers

It’s kind of funny. Well, actually not funny, funny, but more, it’s interesting.

I’m talking about parallels and how life can often hurl them when least expected. I’ve always known this but still manage to sort of forget.

Sort of.

And when I sort of do, life sort of responds by sending me a gentle reminder. Actually, it’s more like a gentle kick to the ass.

Case in point: I recently adopted a new member to the family, a fuzzy, adorable ball of cuteness named Trick. I got her for my other fuzzy, adorable, ball of cuteness (brown variety) named Caleb, who seemed lonely and in need of a playmate. The other fuzzies wanted no part of him (Two of those. I know a 1:4 human-to-dog ratio. Don’t even ask)

Unfortunately, my good intentions didn’t work out as expected—that’s actually an understatement. What actually happened during the introduction, was a rather unpleasant and disagreeable scene. There was some growling. Some snarling. Perhaps even a few bared and pointy teeth. In other words, there was a problem.

I can’t quite remember clearly, but here’s how the events played out soon after: friends were called, a trainer was called (two of those). There was some panic, some frantic begging, and possibly some delirious and angst-ridden pleas for help (I’m not sure. I can’t remember).  In essence, the panic button had been pushed. Sirens went off. Red lights twirled and flashed. Mayday was officially declared.

The first trainer arrived.

And after Caleb maliciously attacked a stuffed Rottweiler (apparently the gold standard for ferreting out bad seeds among the pack), said trainer delivered a grim prognosis, along with a lot of frowning, hand wringing, and labeling.  In effect, she called Caleb a deeply troubled problem child with an irreversible, aggressive nature, and (gasp!) even dangerous. After throwing her hands up (well, she first used them to slap me with a hefty bill), off she went.
I didn’t like that.

Enter the second trainer, who presented an entirely opposite theory. According to her, Caleb got a bad rap. He wasn’t aggressive at all, just a bit overzealous in his excitement, and Trick misinterpreted it. A simple case of two dogs sending off the wrong signals. Her prognosis: good to excellent.

A few weeks later, as evidence of persistence (and testament to staying calm under adversity), I present to you, the bone chewing contest.





Yep. Two inseparable friends-for-life, who can’t stop playing and loving on each other.

Now, the parallel.

As all this was playing out, the timing couldn’t have been worse for dad (that’s me) who was in the throes of trying to complete his work-in-progress. A fast-approaching deadline was looming. My story and characters were being disagreeable and combative. The situation was tense, and nerves were fraying. To put it mildly, I was a wreck. To put it in context, the dogs wouldn’t hunt.

I didn’t like that, either.

Once again, there was some growling. Some snarling. Perhaps even A few bared and pointy teeth (This time, mine).

And again, I pushed the button and called in the trainer (well, actually, a good friend and trusted advisor), who had a look at the manuscript. We kicked some ideas around, and after intense, restructured training, the dogs were off and running, the kingdom safe from near-impending doom.

The lessons here (other than my apparent ability to string two seemingly uncommon events together).  I present them in numerical fashion for more cohesive and clear impact.

  1. Persistence always pays.
  2. Strong people ask for help.
  3. We can learn a lot from the dogs
  4. Never trust anyone who hates on your kid.
  5. Don’t panic!
Oh, and when all else fails? There is always (always!) coffee. And chocolate.


Wednesday, June 13, 2012

Why I Went Indie


Today's guest post is from Jenny Hilborne, author of Madness and Murder, and No Alibi. Like a growing number of traditionally published authors, after giving it a great deal of thought, she made the decision to go the indie route with her newest release, Hide and Seek.  Here's why:

I can’t say I got tired of querying agents and publishers because I didn’t have to do it for long before I received my first publishing contract. I’m not a control freak. I don’t have a drawer full of unpublished manuscripts. The reason I went Indie is simply because the noise got too loud to ignore.

Two years ago, I saw my first thriller, Madness and Murder, published by a small press only one year after I completed the manuscript. I met my publisher at a writers conference in San Diego, spent thirty minutes discussing my book, and received a contract about 5 months later. The same publisher also signed my second thriller, No Alibi.

Book signings and other events followed. I connected with many other authors and started to hear the clamor about independent publishing. For a while, I rejected the idea, wrapped in my traditionally published bubble. As the noise and excitement grew, I got curious…and a little envious. I wanted the same kind of freedom to offer special promotions on my titles and play around with my prices, like all the other authors I'd befriended, some of them now bestsellers.


Here are some more reasons why I went indie for my third thriller, Hide and Seek: 

I’m doing all my own marketing for my traditionally published titles, and I’m paying 100% of the costs. On top of a full-time job and a 30+ hour per week writing schedule, I have to squeeze in time for promoting my novels. As a traditionally published author, I have to sell twice as many books than my independently published counterparts to recover my costs from all events and paid promotions.

I also don’t want to wait a whole year after signing contracts for my book to see print. While I understand that publishers have schedules, it’s a year of lost income while I wait. Not good.

The stories of success shared from some of my fellow (independently published) authors, encouraged me to give it a go. Many of them started out like I did, made the switch to indie, and haven’t looked back. They connected me with a great cover artist and interior formatter and gave me a little shove. I want to compare the experience, to have more freedom, to learn something new, and to work for myself for a while, maybe for good. I can’t make an informed decision about whether indie publishing is best for me unless I try it. I’m excited to see how it stacks up.

For more info about Jenny and her work, please visit her website.