The Mystery of Children's Books in eBooks

By:  Kimberly Hitchens is the founder and owner of Booknook.biz, an ebook production company that has produced books for over 750 authors and imprints.

This week, a break from the blood and guts of Crime; a brief foray into how children's books--formerly "undoable" for Amazon, Nook, and iBooks--have blossomed onto the scene, and what you should be thinking about before you leap into this type of publishing unprepared.  This is the first in a series of articles discussing the fundamentals of epublishing--not "how-to" as much as general concepts, what ebooks look like; how they function, what they can and can't do, and what to expect. 

Before You Start

Before you proceed with digital publishing for a children's book, you need to consider first what platforms (retailers) you intend to sell upon; then, you need to decide whether you're going to publish that kids' book as a "fixed format" book or a regular, reflowable ePUB and MOBI title.  There are important considerations for both options.

What ARE Fixed-Format Books?

"Fixed fomat" books are ebooks that can display two-page spreads, or pages of illustrations that have text on top of the illustrations.  Below are two examples of fixed-format books.  One is from "The Big Galoot," by Shadoe Stevens, on the iBooks application (Apple); the lovely pen-and-ink "Fox and the Fawn" is shown on a Kindle Fire device, with pop-up text boxes (also called, "region magnification," but "pop-up text" just sounds cooler!)


"The Big Galoot," by Shadoe Stevens, in fixed-format, shown here on iBooks.

"The Fox and the Fawn," shown here in Fixed-Format, with "pop-up text," on the Amazon Kindle Fire device.

Now, the upside is that these books will look exactly, or "as exactly as possible" like the original print layout. The downside is that they a) are extremely expensive, and, b) are limited to use on the platform for which they are created.

What this means is that if you have a company make a Kindle Fixed-format Kids' book, it can't be read on any other e-reading device. An Apple Fixed-format book for iBooks can't be read on a Nook. And a Nook Fixed-Format book can't be read on anything but a NookColor tablet, in the special NookKids' platform. (And, note: to publish a NookKids' book, you have to be approved as a NookKids' publisher, by Barnes & Noble, or use an Aggregator/Distributor that is already approved.) An Amazon MOBI made this way only works on those devices that have "K8" formatting--basically, the Kindle Fire Tablet and certain Droid Tablets.

We at Booknook.biz have extensive experience in making these types of Kids' books in fixed-format, including books with embedded video, audio, and even animation (the latter on the iBooks platform only (and to a lesser extent, the NookKids' platform); audio is only available to self-publishers for iBooks and Nook at this time).

An alternative to this approach, if you have simple images with text on opposing pages, is to create a reflowable ePUB and MOBI format.  While this can mean that images and text may become separated while someone is reading the book, it is significantly less expensive and has the added advantage of portability.  An ePUB made this way, in other words, works for iBooks, Nook, Sony, and virtually every other ePUB-reading device.  A MOBI file made this way will work on all Amazon devices.  Two examples of books made as reflowable ePUBs or MOBI's are shown below; "Sharon and Eleanor's Escape" by Connie Pontius (Geese image) and "Emerald Green Runner" by Andrew Kay and Romy Dingle (on iBooks, with a tree in the image).



Sharon and Eleanor, by Connie Pontious, on the Kindle Fire--a reflowable MOBI file.



"Emerald Green Runner," by Andrew Kaye and Romy Dingle, a reflowable illustrated children's ePUB, on the iBooks reading application. 

Now, on either of these last two books, when a reader changes the font size of the book, or changes the orientation (you can read both iBooks or the Kindle Fire in horizontal, or landscape, view), the relationship between the images and the text that you see here will change.  For example, in Sharon and Eleanor, it's highly likely that simply enlarging the text would move the paragraph that starts, "This day began like any other..." to the next "page," meaning that a reader would have to click to the next page to read the text.

Some authors don't want this--they want their books to have text and images "married," as you see on The Big Galoot or The Fox and the Fawn, above.  If, however, your book is sparsely illustrated, or is predominantly story with illustrations, using reflowable eBooks is a far more flexible and affordable way to go.  But if you have a storyline this is predominantly illustrations with very sparse text, then something like Fergus and Lady Jane, from the wonderful Australian "Fergus the Ferry" series, shown below in Kindle Fire Tablet, is probably a better choice.





"Fergus and Lady Jane," on the Kindle Fixed-format platform, from the enormously popular "Fergus Ferry" series, originally published in Australia, by author J W Noble. 



(For larger-sized images, please feel free to peruse our Knowledgebase, which you can see at our main KB at:  http://booknookbiz.desk.com/customer/portal/articles/778945-kids-books . )

Whatever your decision, don't fly blindly into making your children's book into digital format.  Making these books is not inexpensive--usually starting at $10/page, including all covers, inner pages, frontmatter, backmatter, etc., and even more if you add audio (can be as high as $250 for basic audio plus $0.35/word), and that's per format.  What does that mean?  That means you can expect to pay, for, say, a 38-page kids' book, $380 for a book that will only work on a single device or family of devices.  Some companies, like mine, will give you a discount for the second book--the second format of the same book for a different device--but still, it's a lot of money.  Carefully analyze your ROI--Return on Investment--and make sure that you have a real audience for your particular book.  Make sure that you've picked up and looked at children's books on a NookColor tablet, a Kindle Fire and an iBooks app on the iPad, so that you know what to expect in your fixed-format book.  Do your research, so that you have a good idea of what you're getting into before you take the plunge!



Kids and Crime

By Jenny Hilborne, author of mysteries and thrillers.

One of my college assignments was to argue one side of a difficult social issue. FOR or AGAINST. I was instructed to show no support for the other side, regardless of my personal beliefs and opinions. This was a tough challenge, made tougher by the issue I chose and one I think about a lot: the appropriate form of punishment for pre-teen and teenage killers. I personally know someone whose adult brother was killed by a teen.

The research into the issue was sickening. Most of us know about the horrific 1993 slaying in England of two-year-old Jamie Bulger by 2 ten-year-old boys, and we all know about Columbine in 1999. In 1991 seventeen-year-old Kevin Nigel Stanford raped and stabbed a woman repeatedly during a robbery, then shot her in the face and back of the head so she couldn't testify against him.

Some kids are psychotic. Evil. Some commit worse crimes than adults and receive lighter punishment. Their age protects them. Society seems to protect children more than ever before.

This post, however, is not about my essay (which can be found on Scribd for anyone who wants to read it), but about using children in our crime novels. Even with all the atrocious school shootings and other crimes we read about committed by minors, as a writer, I'm careful about using children in my novels, especially as the victim. I don't enjoy reading about child abuse in works of fiction, but it's a sad fact that it happens and, if it's integral to the story, I'll read it. It likely won't prevent me from reading other works by the author.

It's shocking to read true crime of juveniles who assault or murder someone with a deadly weapon, and also of child victims abused by people in positions of trust. In works of fiction, I often wonder if and when it is acceptable to use children in crime, either as the villain or the victim. 

Recently, I read a crime fiction novel about child abuse and kidnapping and, while it was difficult to stomach, it touched on some very important points, areas the general public might not always understand, such as why the kidnapped and abused child might not try to escape. 

In my first book, Madness and Murder, my opening scene handles the sentencing for a child murderer. I worried when I wrote it, especially the later chapters about the atrocities inflicted on the child. I felt sick about those and worried how readers would react. The scenes were an important part of the story and they belonged, however, justifying it didn't make it easier to write a child murder into the novel.

Crime against anyone is unacceptable. Crime against women and children seems worse due to the vulnerabilities of both, yet both women and children can be very cruel and equally as capable of committing heinous crimes themselves. Readers: how do you feel about reading crime fiction books using children either as the villain or the victim? Does it prevent you from picking up other works by the author?

Writers: Do you worry about readers reactions to your crime stories where children are involved in the crime, especially if the child is the victim? Do you have a hard time reading it as well as writing it?