Showing posts with label St. Paul Pioneer Press. Show all posts
Showing posts with label St. Paul Pioneer Press. Show all posts

Wednesday, September 21, 2011

After My Car Was Firebombed While I Covered a Riot...

by JudithYates Borger

It was a hot August night in 2002 when I was a reporter for the St. Paul Pioneer Press dispatched to Minneapolis because it looked like a riot was erupting. Police had tried to issue a warrant on a drug house when someone unleashed a pit bull on the officers. They shot at the dog, the bullet ricocheted off the sidewalk and hit a youngster in the arm. Word went out in the neighborhood that cops had shot a kid.


I normally covered the Minneapolis mayor's office and city council. I'd never worked a police beat in my life and didn't have a clue how to handle a simple burglary, let alone an explosive situation. Nonetheless, the paper wanted all west-of-the-Mississippi reporters on the scene. I got lost on the way, and by the time I arrived, the cops had pulled out, leaving a TV van with a damaged antenna dangling like a broken arm, some torn down yellow police tape and a lot of broken glass. People stood around in groups talking in low murmurs.


I pulled my red Honda Civic del Sol, a gem of a two-seater convertible, into the parking of a convenience store, which was lit up like a surgical suite. Wearing shorts, a T-shirt and my 15-year-old Birkenstock sandals, I got out of my car, locking my purse in the trunk. Several people standing around eyed me, the only white person in sight, with curiosity. I looked like a lost soccer mom, except for my reporter's notebook, pen and cell phone.


I seldom worked nights and my first thought was to wonder what time was deadline. Clearly I wasn't going to have time to write a story, so I called the newsroom and started to dictate what I saw. I was in reporter mode and it didn't occur to me to be frightened.

I saw someone run away from a car and moments later a fire kindled inside. The crowd saw it too, and began to gather around while the fire grew. Soon the car was fully engulfed and I was afraid the branches of a huge maple tree the tree would catch fire, and then the house behind it. People watched like it was the Fourth of July as the car exploded. Fortunately, the fire burned out without touching the tree.
 


As I stood in the parking lot the manager of the convenience store walked up to me and asked, "Who are you?" Then he told me he had dragged a man who had been beaten into the store. Mohamed Somebody, the manager, had called 911 a couple of times to say the man needed medical attention, but no one was coming.


We were standing under the bright lights of the parking lot when we heard gunshots. Bang, bang, bang. It sounded like they were feet away. That’s when I realized I was in danger. I looked at Mohamed, he looked at me, and we both hustled into the store, careful to stand away from the windows. I envisioned spending the night surrounded by Blue Bunny Ice Cream.

Inside the store, I met , a StarTribune reporter, a competitor who had taken a brick in the back of his head. He was incoherent, asking me over and over again, "Who are you?" He asked where he was, and how he had gotten there. I answered his questions and then he'd start them all over again.

After what seemed like a very long time, three or four police cars pulled up in front of the store, blue and red lights flashing. Officers with shotguns and a big dog poured out like the cavalry coming to the rescue. One came to the door of convenience store, talked to the manager, looked at incoherent reporter, then asked me, "Who are you?" I was beginning to get used to the question.



She escorted the two of us to the back seat of the patrol car and shut the door. I looked out the window and saw my car parked next to the convenience store. I'd already seen one car firebombed that night and knew mine was next. When I knocked on the window to get the officer's attention — you can't get out of the back seat of a patrol car — she told me to forget about my car for the night.

"Get it in the morning," she said. I'll just bet, I thought.

The next morning, I got another reporter to drive me to the lot outside the convenience store to pick up my car. When I got there, the bricks on the side of the store were scorched, and a man with one tooth was outside with a broom and dustpan. I learned later that the fire department had already hauled away the husk of my car, including the charred remains of my purse, which had held $200 cash, a spare cell phone and all my credit cards.

"That was my car," I said to the man who was sweeping up the last bits of metal.

He reached into the pile, pulled out the "H" hood ornament, wiped it off on his pants and offered it to me.

"I'm sorry," he said.



KnightRidder, which then owned the Pioneer Press, refused to replace my car, saying it paid reporters 36.5 cents a mile to cover gas and my insurance. Besides, I was told, if it paid for my car it would have to pay for every car that got firebombed. I wonder where else that happens. Miami?

The Pioneer Press paid for my deductible on my car and homeowners insurance – for the cash, cell phone and other stuff toasted in my purse – and an airline ticket to Chicago, where I bought another cute little convertible identical to the one that was torched. Because the cause on the claim on my homeowners’ insurance was fire, I got a letter from our company telling me to be sure to check my home’s furnace.

Ten months later I resigned the paper, not because my car was firebombed, but because it was clear management did not have my back.

Like the fiction I write these days, this story has a satisfying conclusion. My protagonist is … wait for it … a newspaper reporter whose car is firebombed. Superb detail in that passage, if I do say so myself. She has lots of adventures while juggling career, family and her passions for both. I love making this stuff up.

Where’s Billie? and Whose Hand?, both Skeeter Hughes Mysteries, are doing very well in trade paperback and ebooks, available at all bookstores, Kindle and Nook. I’m working on the third mystery right now, title to be determined.
I’m deliriously happy and feeling safe in my work. Life is good.

Wednesday, May 11, 2011

I thought I only had to stick a microphone in his face

Superb interviewing is an art to be practiced. When it's done well writers can get telling little details that can be dropped into their writing like the perfect spice to highlight the best tastes of the  meal. That said, there are some tricks that writers can use to move them along in the right direction.

A colleague at the St. Paul Pioneer Press, where I worked as a reporter a while ago,  suggests that interviewers notice details about their subjects, then ask questions. For example, you may notice that the medical examiner you're interviewing wears a watch on each wrist. Two watches? Why?  You may learn the doc travels a lot and can't keep local time zones straight and wants to always call home before his daughter goes to bed. Or, the doc may be nuts about being on time and figures two watches will double his chance of punctuality. Or, one may have been a gift from someone important to him but it loses minutes and he relies on the other watch to tell accurate time. In any of those cases, you've got a personality quirk that can help you define the medical examiner in your mystery.

Then you've got to figure the best way to record those answers. Some writers use digital recorders, often built into their phones, while others go the good old fashioned paper and pen route. I think there are advantages and disadvantages to both.

When using a digital recorder writers can forget about taking actual notes and hone in on the subject instead, confident that the device will do all the work. That can be very effective if all goes as planned -- which it never does. I've done that a time or two, only to learn the recorder didn't work, or couldn't pick up the voices or got accidentally deleted. Then I don't have a scrap of reminder to tell me what the guy said.

With paper and pen writers don't have to worry about technical malfunction, but unless the writer takes shorthand some words are going to be lost. Besides, paper doesn't capture inflection or weird little turns of phrase that, again, can be descriptive details for a character. Some subjects get nervous when they see a pen scribbling across a page but seem to forget when a recorder is capturing their every ummm.

Myself, I like to use both. Paper is a good backup to the recorder, and vice versa. But to be honest, I try not to refer exactly to the notes/recording after the interview, although I tuck both away in my files in case I change my mind. Rather, I like to just let the subject's words marinate in my head for a while before I write. That way, the most important details seem to bubble up, while I forget the stuff that would clutter up my pages with non-telling detail. But that's just me. What method do you use?